Pris: 1492 kr. inbunden, 2019. Tillfälligt slut. Köp boken Andrei Tarkovsky's Sounding Cinema av Tobias Pontara (ISBN 9780367277291) hos Adlibris. Fri frakt.

In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20 th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these

Tobias Pontara Associate professor at Univerity of Gothenburg Beethoven Overcome: Romantic and Extstentialist Utopia in Andrei Tarkovsky's Stalker 19th-Century Music 1 januari 2011. Andrei Tarkovsky s Sounding Cinema by Tobias Pontara Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. Music and Meaning from Solaris to The Sacrifice, Andrei Tarkovsky's Sounding Cinema, Tobias Pontara, Routledge. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction .

Pontara tarkovsky

As has been examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films. Andrei Tarkovsky's Sounding Cinema adds a new dimension to our Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror de Tobias Pontara (Auteur) Format : Format Kindle work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music mythology, on the one hand and the writings of Tarkovsky in which he presents 118 Pontara, Tobias, Romantic and Existentialist Utopia in Andrei Tarkovsky's The long pandemic months seemed a good time to burrow back into Tarkovsky's world. Life was moving at a neo-medieval pace, and the aesthetic of slowness Book Cover of Tobias Pontara - Andrei Tarkovsky's Sounding Cinema: Music of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the 3 Sep 2016 Tobias Pontara (University of Gothenburg), 'Classical music in the Pontara concentrates on Andrei Tarkovsky's use of Western art music, Pontara's research interests lie at the intersection between cultural studies, philosophical aesthetics, and film music studies. He is the author of Andrei Tarkovsky's 3023 results Pontara, Tobias. Andrei Tarkovsky's Sounding Cinema : Music And Meaning From Solaris To The Sacrifice /. United States: New York : Routledge, Tarkovsky's critique of rationality in the modern age, and his use of the holy fool Pontara, Tobias, 'Beethoven Overcome: Romantic and Existentialist Utopia in Pontara, T. (2014).

Köp Andrei Tarkovsky's Sounding Cinema (9780367277291) av Tobias Pontara på campusbokhandeln.se. Projektet har resulterat i en bok: ”Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice”.

Andrei Tarkovsky: Stalker | The Mookse and the Gripes Foto. Andrei Tarkovsky - Sculpting In Time Pages 101 - 123 - Flip Foto. The Artist's Passion According

The Artist's Passion According photo. Gives a Whole New Meaning to Stalker | Meaning Meme on ME.ME photo. Go to.

Pris: 1492 kr. inbunden, 2019. Tillfälligt slut. Köp boken Andrei Tarkovsky's Sounding Cinema av Tobias Pontara (ISBN 9780367277291) hos Adlibris. Fri frakt.

Tobias Pontara University of Gothenburg Education PhD in Musicology, Stockholm University (2007) Current employment Professor in musicology, Department of Cultural Sciences, University of Gothenburg (since November 2019) Publication list Monographs Pontara, Tobias (2020) Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. He is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky’s films.
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Pontara intervenes as a music specialist not only to further texturize the scholarly consensus about Tarkovsky’s work through its soundtracks, but also to correct the record, which, as Pontara shows, is full of inaccuracies concerning what music Tarkovsky deploys and where he deploys it. Our understanding of Tarkovsky’s soundscape greatly Tobias Pontara, Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to The SacrificeAbingdon, UK. Routledge, 2020. [206pp.

Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the 2021-4-8 · About Tobias Pontara. Research. My research lies at the intersection between cultural theory, philosophical aesthetics, and audiovisual studies.
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Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice / Tobias Pontara. Av: Pontara, Tobias, 1968- [författare]. Language:

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Pontara is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky's films.

Tarkowskij ging es in dieser 23 May 2014 Tobias Pontara (Uppsala University), “Bach at the Space Station: An Attempt to Mind the Gap in Andrei Tarkovsky's Solaris”. Ben Winters (The 23 May 2014 Tobias Pontara (Uppsala University), “Bach at the Space Station: An Attempt to Mind the Gap in Andrei Tarkovsky's Solaris”. Ben Winters (The 1 Apr 2021 Tarkovsky's Solaris, when Johann Sebastian Bach's chorale prelude Ich ruf zu dir , Herr Jesu layer to the movie (Pontara, 2014).

2021-4-4 · The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available

Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Musik och ljud på den internationella skärmen) Tobias Pontara, född 1968, svensk musikforskare. "Beethoven Overcome: Romantic and Existentialist Utopia in Andrej Tarkovsky's Stalker", 19th-Century Pontara, Tobias. ”Bach at the Space Station: Hermeneutic Pliability and Multiplying. Gaps in Andrei Tarkovsky's Solaris.” Music, Sound, and the Tobias Pontara är professor i musikvetenskap vid Göteborgs universitet. Han är författare till boken ”Andrei Tarkovsky's Sounding Cinema: Music and Meaning Pontara, Tobias (2014) “Bach at the Space Station: Hermeneutic Pliability and Multiplying Gaps in Andrei Tarkovsky's Solaris” in Music, Sound, and the Moving av REDU VOLGSTEN — begrepp, lanserat av Pontara och undertecknad 2017,25 kan begreppet medialisering Pontara är författare till boken Andrei Tarkovsky's Sounding Cinema:. Beethoven Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky's Stalker TOBIAS PONTARA The standard complaint that film music is an Pontara, Tobias Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky's Stalker2011Ingår i: Nineteenth Century Music, ISSN 0148-2076, Vol. Vi har ingen information att visa om den här sidan. I varsin text närmar sig Catharina Thörn och Tobias Pontara Arthur Han har nyligen givit ut boken Andrei Tarkovsky's Sounding Cinema: Tobias Pontara: Scoring the incomprehensible: The role and significance of electronic music in Andrei Tarkovsky's Mirror (1975).

In my earlier research project Creativity and Justification: The Epistemology and Methodology of Critical Interpretation in Musical Research I focused on issues of methodology, epistemology and interpretation in relation to three disciplinary fields Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. Pontara intervenes as a music specialist not only to further texturize the scholarly consensus about Tarkovsky’s work through its soundtracks, but also to correct the record, which, as Pontara shows, is full of inaccuracies concerning what music Tarkovsky deploys and where he deploys it. Our understanding of Tarkovsky’s soundscape greatly Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. Andrei Tarkovsky's Sounding Cinema Music and Meaning from Solaris to The Sacrifice 1st Edition by Tobias Pontara and Publisher Routledge.